Tag: books

  • Opinion: Sex and the Best-Seller

    Opinion: Sex and the Best-Seller

    You read a book and looked around the room to check if anyone is reading over your shoulder. Goootchaaa.  It will happen even though you know very well that you’re in the back seat of a bus, at home alone letting your dog out for a pee, or at an airport gate. It’s because you’re about to read a sex scene that you may or may not have been anticipating.

    As you flip the page, there are all these words that are jumping off. Words that you somehow believe your sweet grandmother, who lives a solid eight hours away, will know that you are reading. You may be a strong and confident individual, and I would like to think that I am in at least some capacities of my life, but when it comes to sex and the written word I confess I can be a child at times. Almost every time. There is unfortunately some blushing and there is some speed reading when in public. I am pretty much a grown ass woman and I spot the word “fluttering” and I’m suddenly faint and screaming “CAN I GET THIS LATTE TO GO PLEASE?” at a poor barista. I wish I could tell you why I am this way. Well, we may actually know why we (ok, I’ll save you some face here and just say “I”), or I feel this way – it’s just some damn good writing.

    It’s illogical, but I have convinced myself that an author has been paid to watch us from puberty, has bugged every car or setting you or I have been in, and has secret access to my mind. Or, better yet, has given now given up the key to someone else’s. It’s the awkward sex or brutally honest scenes on sex that make the most moving ones at times.  

    Here are some recommendations that I wasn’t expecting to be so moved by. It is a small list of relatively recent best-sellers that are not necessarily “sex books”, i.e. you can still read them on a plane, but evoke that beauty in the honesty of some fumble-y smoochie smooch.

    In no particular order (more based on recent memory than anything legitimate):

    • “Call Me By Your Name” – by André Aciman. The screenplay adaptation for this novel, by James Ivory, just won an Academy Award this past Oscar Sunday, for this first love film. The teetering of admiration and insecurity of new love is simultaneously gorgeous and heart-wrenching.  What goes through the lead’s mind, Elio, at times will make you feel a touch less creepy as the author is so candid about love and the physical experience. For example, when Elio asses the items that he once worshipped that his uncertain love possesses that he is trying to rid himself of, and he mentions the “Area between inner and outer elbow that I’d worshipped once: check”. I mean come on, that is so specific and is made accessible through absolute book magic.  If you don’t think love is love by the end of this novel then you should have to revoke your membership from the human species. Please and thank you, bye.  
    • “Crazy Heart” – by Thomas Cobb. Another film adaptation that caught lots of Oscar praise back in 2009. The love that the protagonist country western singer Bad Blake has for his women (including his multiple wives) and his perception of himself, and his aging body, is surprisingly charming. A single older man usually does not scream a go-to idyllic romantic read for university students, but his desperation for blunt admiration and his mix of lyricism is what establishes the timelessness of love and desire.
    • “Looking for Alaska” – by John Green. It has been a while since I have laid my eyes on these pages but what is so interesting in this young adult novel is the utter inexperience that the characters have and it has still stayed with me. It is at the polar end of the spectrum of experience to “Crazy Heart”, as Miles finds more eroticism in one kiss with one character over a more sexually demanding deed done by another character. A local Kentucky resident wrote to their newspaper to call this book “mental pornography” in hopes that it would not be taught in local schools. But what the reader may have been missing here is that Miles found deeper meaning in a kiss, than his extremely awkward other encounter – but, the reader gets to feel the rush and sympathy of some green second-hand embarrassment in the process. Second hand and first-hand embarrassment is what wakes me up in the morning, that, and a good old cup of joe.

     

    Those recommendations may seem completely arbitrary and it might be because they are only based off my most recent reading experiences – but they undoubtedly stuck to my literary ribs. Aren’t the little details that leave more to the imagination harder to forget? No? Well, yeah, I mean films are good too but, again, those are harder to enjoy on a plane. For example, some reason I forgot about the 3-and-a-half-minute car wash scene in Cool Hand Luke, and I decided to commit to not changing or fast-forwarding the scene. Those are three and a half minutes I can’t get back.  

    Anyways, even if you don’t read those, there are some sounds bites that will make you sound like more like an “authentic adult” and not some horny uni student. Hip hip hurray. Cheers.

  • Books Start Here

    Books Start Here

    MARK YOUR CALENDAR: MARCH 17, 7-9pm

    Books Start Here events raise awareness about Nova Scotia’s publishing industry

    Stakeholders in the Nova Scotia book trade have launched the Books Start Here campaign to grow their industry in the province. The campaign’s two main goals are to communicate the news that there is a vibrant local publishing industry ready to grow and to convince the provincial government to support the industry at levels matching other provinces.

    A Books Start Here event will be held on Thursday, March 17 from 7-9pm at the Fountain Commons on the Acadia University Campus in Wolfville, and is hosted by the Atlantic Publishers Marketing Association with support from Acadia’s English Department and the Vaughn Memorial Library. This event is free and open to all members of the public who are interested in learning more about our regional book trade.

    Attendees will hear from authors, publishers, booksellers, and librarians, including Maggie Neilson (academic librarian/director of One Book Nova Scotia), Andrew Steeves (author/publisher, Gaspereau Press), Ami McKay (author of The Birth House and Jerome: The Historical Spectacle), Errol Sharpe (author/publisher, Fernwood Publishing), Alexander MacLeod (author of Light Lifting), Andy Brown (publisher, Conundrum Press), Hilary Drummond (bookseller, The Box of Delights Bookshop), and many others.

    Several regional publishers will also be in attendance with books on hand for viewing and purchase, including Nimbus Publishing and Vagrant Press, Formac Lorimer Books, Conundrum Press, Gaspereau Press Printers & Publishers, and Fernwood Publishing.

    Books Start Here’s organizers hope to encourage the provincial government to include measures in the 2016 budget that implement promises of consultation and support made in the 2015 budget. Publishers are looking to expand production, marketing and sales, generating more local jobs and higher profiles for Nova Scotia authors across Canada and internationally.

    The Books Start Here campaign launched at a free public event in February at the Maritime Museum of the Atlantic, attracting more than 200 people. Canada’s new poet laureate, George Elliott Clarke, lent his support to the event, as well as several other Nova Scotia authors and illustrators. A second successful event was held in Mahone Bay on February 24.

    More information can be found at nsbooksstarthere.wordpress.com.

    Panel: “Local Publishing and the Ecology of the Book”. Topics include:

    1. Our personal relationship or experience with books (How did books become a significant part of your life and what role do they play in it now).
    1. The local and the global (How do we interact – creatively, culturally, economically – with the wider world while also engaging in and sustaining the local? How do we foster vital local cultural activity that is ‘the real deal’ and engaged with the wider world and not just premised on protectionism or local boosterism?)
    1. Books and civics (culture and community sustainability; What role does a healthy literary culture and creative economy play in our community’s health and sustainability, and what role does our community, and government, play in supporting and nurturing them?)
  • All Art Made Equal: Television Can Be Good Too

    All Art Made Equal: Television Can Be Good Too

    Is all art equal?

    Consider the proposition: certain forms of art are superior to other forms of art. Consider Shakespeare, or Dickens, or James Joyce, whose crafts have all been well-proven against the tests of time. Then consider the current glamorized reality shows such as Keeping Up with the Kardashians. Can we objectively state that one is better than the other? The truth of this argument is not obvious. Most people would say that one is clearly better than the other, and certainly worth more. The argument is then generalised: “read a book instead, all television rots your brain,” or “art ain’t like it used to be.” They will apply this same logic to music or painting.

    It’s a bothersome argument. I’ll admit that as a science major, the technical domain of art is a bit mysterious to me, but it is still possible to appreciate the emotion and effort that the artist pours into their work. And if one type of art really is to be called inferior, then let us first establish a criterion for determining what art is. For now, we will go with the simple definition: art is a craft requiring human imagination and creativity. We can refine this to be a craft with the purpose of conveying a specific emotional, intellectual or ideological stimulation. It doesn’t need to be, though. The meaning can be interpreted by the audience. If we follow this definition, then inferior art is one that fails to meet this criteria, lacking in imagination and creativity.

    How can we measure this? The common argument made is that television is a “lesser” art medium than literature and reading a book is a more noble pursuit of artistic inspiration than watching TV. I’ll admit that reading a book is a more engaging activity for your brain than watching television. Of that there is no doubt. But when did the purpose of art become solely engaging your brain? There are television shows with more depth, soul and thought put into them than some novels I’ve read. Is watching an artistic masterpiece or a potently realistic political-social commentary on TV less engaging than reading Fifty Shades of Grey? These questions are left for the reader to answer. This editor will only give his opinion: hold no judgement towards art based solely on its medium of delivery. Receive it with an open mind, in any form it comes to you. Only then can you truly appreciate the message it brings.

    Here are some of my favourite television shows, in no strict order:

    1. Deadwood: A master class in drama and language. It’s like Shakespeare set in the Wild West. The characters are so incredibly vibrant that you wish you sort of led a life like they do. You won’t really understand it until you watch it twice, but you will quickly realise that the characters you root for are more or less all terrible people. It’s HBO too, so that gives it some brownie points.

    2. The Wire: A lot of TV aficionados will cite this as the greatest show ever. It’s hard to disagree. It is often touted for its stark realism, however, it tends to escape this later in the series. However, the characters themselves maintain this quality until the very end, making them and their struggles very relatable. So relatable, in fact, that for a few months after finishing the show you will constantly find yourself comparing you situation to a similar one undertaken by character X in season Y.

    3. Hannibal: Recently ended. And it ended perfectly. I’m often not a fan of shows that act as prequels or sequels to major blockbuster films. Smallville, Gotham, and all that glitter never appealed to me. But Hannibal is more than that. It’s a moving canvas. It really does go for that “every frame a painting” label. The show plays on jokes and references from the movie in a smart way, albeit with grace and subtlety. And Mads Mikkelson’s performance as the cannibalistic psychiatrist will forever change how you think about cannibalistic psychiatrists.

    4. Fargo: You’re lucky, because this one is still on TV, airing on FX. It’s hard for me to express exactly what makes this show so special. Like Hannibal, it also acts as a direct continuation of the Coen Brothers’ iconic movie. One thing that makes this show so special is its perfect balance between dark, twisted humour; dark, twisted violence and dark, twisted nihilism. I think it secretly acts as a philosophy course in the guise of a Minnesotan crime thriller.

    5. Rick and Morty: This is an animated one, and recent too. Coming from Adult Swim, you know that the show’s humour takes many forms. In some ways, it is similar to shows like Family Guy, where immature humour hides the deep, subtle humour underneath. It also has the humour that is so powerful that after laughing you have to step back and seriously evaluate some things about your life.

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